Entry tags:
- au,
- hutchinson,
- neil
And carve your name and hearts into the warhead
Somewhere between finding out the news and hitting the tarmac in Newark, he decides not to go to Neil immediately.
Some of it is fear, plain and simple, though he'd only come out and call it that under extreme duress. But it's not fear of Neil, not really. It's both more complex and more horrible than that. It's fear of disappointing him. Fear of what it might mean that he's afraid of that. Fear of commitment. Fear of not committing. Fear of being hurt. Fear of becoming someone who can't be hurt at all, because they don't feel anything.
At Newark he rents a car for a day and drives into Trenton; it's a sad little town in a lot of ways, that sign on the bridge somehow reproachful rather than proud--the world takes everything from us and leaves us with nothing--but something about it speaks to him all the same. It's not New York. It's not really like anywhere he's lived.
After about half an hour, it occurs to him that probably the closest it comes to is Hutchinson.
Shortly after that, leaning on the hood of the car and watching rain drip sullenly into the gray river, a cigarette burning down to a stub between his fingers, he comes to another decision. It doesn't take him very long. Really, he thinks maybe he's already made it, and the hard part was just realizing that it was made.
He picks up a local paper, finds three places that he can look at that afternoon, and jumps on the third one. It's small, old, clean. Is it all right if he pays for a few months in advance? He has to go overseas for a while and won't actually be living in it until he returns. Yes, it's fine. A modest and unspent inheritance and years and years of intensely minimal expenses mean that he has money. Really, he has more than he knows what to do with.
And now he knows.
He signs the application, agrees to come back in a day or two to sign the lease itself, hits the road. It's getting dark and raining harder. He takes a detour and stops in front of the gates of Fort Dix, looks at the lights in the early gathering twilight and thinks about what might have been. What won't be. What will.
It's late when he gets into the city itself, and though Neil's told him where the bar is he gets lost twice, the streets becoming oddly maze-like. Parking should be a nightmare but once he finds the place itself, there's a spot across the street, and he slides into it, dumping change into the meter without counting the time.
It's a hole in the wall, but it's got good atmosphere, dim and smoky, music too loud. The kind of place he likes, as a rule.
It's not too crowded but it's small, and people line the bar, and he only catches sight of Neil when he pushes his way to the front. For a moment he doesn't speak, doesn't breathe, and there's the fear again. Is he making a huge fucking mistake? Is he giving up too much for someone he still hardly fucking knows?
Is there a name for this? One he can use?
He catches Neil's eye, taps the bar and manages a thin smile. "Whiskey. Straight."
Some of it is fear, plain and simple, though he'd only come out and call it that under extreme duress. But it's not fear of Neil, not really. It's both more complex and more horrible than that. It's fear of disappointing him. Fear of what it might mean that he's afraid of that. Fear of commitment. Fear of not committing. Fear of being hurt. Fear of becoming someone who can't be hurt at all, because they don't feel anything.
At Newark he rents a car for a day and drives into Trenton; it's a sad little town in a lot of ways, that sign on the bridge somehow reproachful rather than proud--the world takes everything from us and leaves us with nothing--but something about it speaks to him all the same. It's not New York. It's not really like anywhere he's lived.
After about half an hour, it occurs to him that probably the closest it comes to is Hutchinson.
Shortly after that, leaning on the hood of the car and watching rain drip sullenly into the gray river, a cigarette burning down to a stub between his fingers, he comes to another decision. It doesn't take him very long. Really, he thinks maybe he's already made it, and the hard part was just realizing that it was made.
He picks up a local paper, finds three places that he can look at that afternoon, and jumps on the third one. It's small, old, clean. Is it all right if he pays for a few months in advance? He has to go overseas for a while and won't actually be living in it until he returns. Yes, it's fine. A modest and unspent inheritance and years and years of intensely minimal expenses mean that he has money. Really, he has more than he knows what to do with.
And now he knows.
He signs the application, agrees to come back in a day or two to sign the lease itself, hits the road. It's getting dark and raining harder. He takes a detour and stops in front of the gates of Fort Dix, looks at the lights in the early gathering twilight and thinks about what might have been. What won't be. What will.
It's late when he gets into the city itself, and though Neil's told him where the bar is he gets lost twice, the streets becoming oddly maze-like. Parking should be a nightmare but once he finds the place itself, there's a spot across the street, and he slides into it, dumping change into the meter without counting the time.
It's a hole in the wall, but it's got good atmosphere, dim and smoky, music too loud. The kind of place he likes, as a rule.
It's not too crowded but it's small, and people line the bar, and he only catches sight of Neil when he pushes his way to the front. For a moment he doesn't speak, doesn't breathe, and there's the fear again. Is he making a huge fucking mistake? Is he giving up too much for someone he still hardly fucking knows?
Is there a name for this? One he can use?
He catches Neil's eye, taps the bar and manages a thin smile. "Whiskey. Straight."
no subject
I know it, the second he steps into the bar. I notice him the second he walks into the fuckin' bar, even though it's busy and it's loud. It doesn't seem to fucking matter. There's this goddamn tether hooked in under my ribs, and it's like I can feel it tugging at me whenever he's nearby. Which... is fucking terrifying. I don't even know how it happened, but it's there, and all I can do is act natural. All I can do is pretend like I don't notice him, like I can't just feel that something's wrong, before he even opens his goddamn mouth.
It's been a decent few days, uneventful but relatively okay, but every single fucking day, I've thought of him. I can't fucking stop myself.
My own lips twitch into an answering smile, and I pull down a glass, grabbing a bottle of something decent and pouring him a measure.
"How was Texas?" I ask casually, sliding the glass over to him and moving over to take the handful of bills the guy next to him just slid over toward me.
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Later. They'll talk about it later.
"It was Texas. I dunno. Kinda glad to be outta there."
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But someone new saddles up to the bar and I have to pour their drink, and there's a whole bar full of customers that have to be looked after.
"I get off in an hour," I tell him, grabbing up a couple empty glasses to dump into the bus tub.
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And the timing of this would be almost funny if it weren't so horrible.
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But this shift, all I really see is him, even when I'm doing a passable job of ignoring his existence. He's a distraction. Not enough for me to fuck things up, but still there. Always.
The hour passes painfully slow, or maybe too fuckin' fast, and finally, I turn over the register to the tough, middle aged woman who's been workin' here for over fifteen years and head back to the office to grab my shit.
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That's got to be worth giving some things up for.
He sees Neil coming out of the back with mingled relief and apprehension, and he slides off the barstool. The man next to him just keeps talking, oblivious, and for a moment he envies him.
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He can avoid lookin' at me all he wants, that doesn't mean I'm gonna do the same.
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He's not even sure why he's this weary, though he could make some guesses.
He looks back over his shoulder. "I have a car. Rental. Parked across the street."
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"You know rentin' a car in this fuckin' city's pretty pointless, right?"
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"Just didn't get around to taking it back yet. I rented it for Trenton."
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Christ, this is just... I can't do this to myself. It's fuckin' stupid.
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"Get in. We gotta talk."
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I don't gotta whole lot of experience with it, but we gotta talk is never a good sign.
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At least this time he has the good sense to be afraid.
"So you know all the shit that's going down in Yugoslavia?" he asks at last. The towering lights of a bridge appear through the buildings ahead of them, and he realizes, vaguely, that he's taking them out of the city. "All the fighting and whatnot."
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Oh. He doesn't have to really say anything. I think I already know. Exhaling smoke through the cracked window, I clear my throat and say, "When are they shippin' you out?"
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And it's too late to wonder that, as far as some things go.
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There's all this tension suddenly welling up in the back of my throat, heart hammering, stomach churning, and I've got this unfamiliar, really fucking weird urge to cry. It's been too fuckin' much, and I just feel... Stupid. I feel stupid for hoping... For hoping for something I'm not even real sure was ever possible.
But instead, I cough out a laugh, pinching at the bridge of my nose and flicking my cigarette butt out the window.
Peacekeepers. What a bunch of bullshit. They're sending him right into the fucking thick of it. This isn't even in the same league as those safe little military bases.
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They're following the highway out toward the Narrows bridge and Staten Island, and now he knows he's taking them back toward New Jersey--though toward what besides that remains a mystery. He stares out at it, hating that laugh Neil's made.
"This isn't what I wanted."
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"It's... whatever."
It's a lot of things. I don't even know what to say. I can't... put into words the kind of disappointment I'm feeling right now. I can't justify it. He's not my fuckin' boyfriend. He's...
I don't know what the fuck he is.
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The power to change a world.
"I'm sick of this," he says, more quiet. "I'm sick of moving around all the fucking time. I'm sick of missing you all the fucking time. I'm sick of... of having to lie to everyone about who the fuck I am."
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But that's more about what he does, not who he is, and for a second, I'm too surprised to say anything.
"This is what you do, man. You said it yourself. You... It's important, right?"
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The other hard letters he's written, he's decided that no one will ever see.
He blinks hard, shakes his head. "But it's not all I do."
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"I been thinkin' 'bout it. 'Bout you bein' here, nearby. The last few days, I mean," I admit quietly, clearing my throat and letting my body tilt a little toward him, even though we're not touching and there's a fucking console between us. "I know you weren't doin' it for me or whatever, but I... I really wanted it."
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Finally he takes an exit, turning them back south. "I wanna show you something."
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"You're drivin' me a long fuckin' way, it better be worth it," I whisper, offering him a crooked, almost embarrassed smile.
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