Entry tags:
- au,
- hutchinson,
- neil
And carve your name and hearts into the warhead
Somewhere between finding out the news and hitting the tarmac in Newark, he decides not to go to Neil immediately.
Some of it is fear, plain and simple, though he'd only come out and call it that under extreme duress. But it's not fear of Neil, not really. It's both more complex and more horrible than that. It's fear of disappointing him. Fear of what it might mean that he's afraid of that. Fear of commitment. Fear of not committing. Fear of being hurt. Fear of becoming someone who can't be hurt at all, because they don't feel anything.
At Newark he rents a car for a day and drives into Trenton; it's a sad little town in a lot of ways, that sign on the bridge somehow reproachful rather than proud--the world takes everything from us and leaves us with nothing--but something about it speaks to him all the same. It's not New York. It's not really like anywhere he's lived.
After about half an hour, it occurs to him that probably the closest it comes to is Hutchinson.
Shortly after that, leaning on the hood of the car and watching rain drip sullenly into the gray river, a cigarette burning down to a stub between his fingers, he comes to another decision. It doesn't take him very long. Really, he thinks maybe he's already made it, and the hard part was just realizing that it was made.
He picks up a local paper, finds three places that he can look at that afternoon, and jumps on the third one. It's small, old, clean. Is it all right if he pays for a few months in advance? He has to go overseas for a while and won't actually be living in it until he returns. Yes, it's fine. A modest and unspent inheritance and years and years of intensely minimal expenses mean that he has money. Really, he has more than he knows what to do with.
And now he knows.
He signs the application, agrees to come back in a day or two to sign the lease itself, hits the road. It's getting dark and raining harder. He takes a detour and stops in front of the gates of Fort Dix, looks at the lights in the early gathering twilight and thinks about what might have been. What won't be. What will.
It's late when he gets into the city itself, and though Neil's told him where the bar is he gets lost twice, the streets becoming oddly maze-like. Parking should be a nightmare but once he finds the place itself, there's a spot across the street, and he slides into it, dumping change into the meter without counting the time.
It's a hole in the wall, but it's got good atmosphere, dim and smoky, music too loud. The kind of place he likes, as a rule.
It's not too crowded but it's small, and people line the bar, and he only catches sight of Neil when he pushes his way to the front. For a moment he doesn't speak, doesn't breathe, and there's the fear again. Is he making a huge fucking mistake? Is he giving up too much for someone he still hardly fucking knows?
Is there a name for this? One he can use?
He catches Neil's eye, taps the bar and manages a thin smile. "Whiskey. Straight."
Some of it is fear, plain and simple, though he'd only come out and call it that under extreme duress. But it's not fear of Neil, not really. It's both more complex and more horrible than that. It's fear of disappointing him. Fear of what it might mean that he's afraid of that. Fear of commitment. Fear of not committing. Fear of being hurt. Fear of becoming someone who can't be hurt at all, because they don't feel anything.
At Newark he rents a car for a day and drives into Trenton; it's a sad little town in a lot of ways, that sign on the bridge somehow reproachful rather than proud--the world takes everything from us and leaves us with nothing--but something about it speaks to him all the same. It's not New York. It's not really like anywhere he's lived.
After about half an hour, it occurs to him that probably the closest it comes to is Hutchinson.
Shortly after that, leaning on the hood of the car and watching rain drip sullenly into the gray river, a cigarette burning down to a stub between his fingers, he comes to another decision. It doesn't take him very long. Really, he thinks maybe he's already made it, and the hard part was just realizing that it was made.
He picks up a local paper, finds three places that he can look at that afternoon, and jumps on the third one. It's small, old, clean. Is it all right if he pays for a few months in advance? He has to go overseas for a while and won't actually be living in it until he returns. Yes, it's fine. A modest and unspent inheritance and years and years of intensely minimal expenses mean that he has money. Really, he has more than he knows what to do with.
And now he knows.
He signs the application, agrees to come back in a day or two to sign the lease itself, hits the road. It's getting dark and raining harder. He takes a detour and stops in front of the gates of Fort Dix, looks at the lights in the early gathering twilight and thinks about what might have been. What won't be. What will.
It's late when he gets into the city itself, and though Neil's told him where the bar is he gets lost twice, the streets becoming oddly maze-like. Parking should be a nightmare but once he finds the place itself, there's a spot across the street, and he slides into it, dumping change into the meter without counting the time.
It's a hole in the wall, but it's got good atmosphere, dim and smoky, music too loud. The kind of place he likes, as a rule.
It's not too crowded but it's small, and people line the bar, and he only catches sight of Neil when he pushes his way to the front. For a moment he doesn't speak, doesn't breathe, and there's the fear again. Is he making a huge fucking mistake? Is he giving up too much for someone he still hardly fucking knows?
Is there a name for this? One he can use?
He catches Neil's eye, taps the bar and manages a thin smile. "Whiskey. Straight."
no subject
He cuts the engine, leans over and points up to a set of windows close to the corner of the building, third floor. And he just... spits it out.
"I filled out a rental application for that place today." He pauses, takes a breath. "When I get back... from Yugoslavia... I'm getting out. Of the Army. Completely."
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"Why... Mike, why are you showin' me this?" I say, and it's not an accusation. I honestly need him to fuckin' spell it out to me, why he's driven me all the way out to an apartment he doesn't even have yet. He's gotta explain to me why this feels so major, and why I feel like I've got some part in it, even though I've never felt so fuckin' lost in my whole life.
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"I wanted to prove it to you," he says quietly. "I wanted it to be... more than just something else I fucking said." An anchorpoint. Something for them both to hold onto, until there's something built up in its place.
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"You really wanna get out? For good?" I ask finally, turning to look at him -- really look at him, for the first time since we got in the car.
no subject
And just what it is that he's actually doing.
Don't lie. Not about this.
"No," he says finally. "I don't wanna get out. But I don't..." He trails off, face briefly twisting in frustration. "I can't... live like this anymore. I can't live like I wanna live. Not as long as I'm still in."
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I've been in over my head for a while now. I didn't know it. I didn't really know how fuckin' clueless I really was until I met him. I've got a vague inclination that people do this. That they meet and they build up relationships, that they get to know each other and they move forward together. Not just with romances, but with friends and everything in between.
But I just... whatever makes that sort of thing so easy for so many people is just missing in me. Broken or lost or fuckin' stolen, I don't know.
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"Trenton is just convenient. I wanna be with you."
Just like that. Huh.
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I cough out a laugh, more strained than I want it to be, more fuckin' terrified. Jesus Christ. Sucking in a breath, I pop open the door, climbing out onto the sidewalk before I can stop myself, 'cause in there... In there I can't fuckin' breathe.
I've got another cigarette fished out of my pocket, lit and immediately sucking on it like I need it to fuckin' survive. Standin' on the goddamn sidewalk in bare fuckin' feet, like an asshole.
"Fuck," I mutter around the filter between my lips, ducking inside to grab my shoes and dropping them onto the sidewalk to I can step into them.
no subject
So maybe it's a huge mistake. He's a made a few of those.
"So," he says, leans over the hood of the car and fixes Neil with a thin, strained smile. "That kinda didn't sound so great."
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"Mike, you don't... You can't change your whole fuckin' life for me. I mean, we're not even..."
We're not even what? I don't even know how the fuck to finish that sentence, and I'm immediately pissed at myself for even openin' my mouth.
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So no, it's not just Neil. But Neil was the catalyst, the inspiration, and when he thinks about a future without a uniform, Neil is what appears in its place.
And that's insane. Absolutely insane.
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"But some of it... Some of it's 'cause of me," I say, and it's not really a question, and I can't really do a goddamn thing about how fuckin' hopeful it sounds, underneath all the fear and all that disbelief.
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He smiles faintly, sliding a little closer and leaning back against the hood. Thunder rumbles ominously overhead; more rain soon, maybe. "You got a way of fucking up my life, y'know."
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"So, it's not your apartment yet, right?" I ask, cutting him a sideways look, my shoes crunching on the pavement as I shift toward him, taking one shuffling step to close some of that distance.
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One way or another, he's done with full-time soldiering now.
He glances over at Neil again. "I coulda waited, showed you when I actually had the keys, but... I didn't want to."
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I don't got any experience with romantic gestures, but something about this feels kind of like one. I guess it's a good thing that I think it's funny, instead of it freaking me out.
Like I don't got enough shit to be scared shitless over.
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He can't quite find the words, but again he thinks of an anchor, something solid to hold onto, something more than just words he'll say and be wrong about later. Bringing the future into focus by laying down a landing strip on it, making it real. And maybe it's as much about him as it is about Neil.
"We should go," he adds, glancing back up at the sky, at the lowering cloud. "Looks like it's gonna open up any minute."
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"We goin' back to the hotel, or what?"
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"I really... I don't give a fuck." As long as I'm with you.
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But that's not all I want. All I really want is to go someplace where it's just us. If we weren't right out in the open, this fuckin' street corner'd be just fine.
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He thinks he probably wouldn't care if it was pouring.
"We could probably find a place close by."
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Sliding into the passenger seat, I let out a breath I didn't really know I was holding, my heart hammering dizzyingly fast behind my ribs.
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He slides behind the wheel and cuts the engine on, pulling away from the curb and heading towards the ourskirts of the city, toward the half-suburban strips where the malls and the motels congregate.
He's tired. Maybe too tired to do much more than get naked. But right now, nakedness and Neil and bed sounds like the closest to Heaven he's ever likely to get.
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I wonder if maybe I should've told Wendy where I was goin', but it's too late now. I'll deal with it in the morning.
"You get out there, you better write me. Promise I'll write you back," I tease, voice dipped low and a lazily playful grin on my face, but I'm serious, and maybe it's as much of a confession as anything else. He wants to be with me... and I wanna be with him, too.
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But he'd said it himself. I don't know how to do this.
"I'll write you." He glances at Neil again, somewhere between teasing and serious, to match what he sees lurking behind the expression Neil is wearing, mask-like. "I'll fucking call you."
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