(no subject)
Mike ignores the looks out in the corridor, not letting go, not caring. He's doing calculations in his head - there's something delightfully filthy about the idea of the alley behind the theater, but getting back in might be a hassle, and he does want to do that eventually. So he turns them both into the men's room, which appears to be occupied only by a single teenager who very pointedly doesn't look at them as he heads for the door.
He shoves Neil into an open stall, following with a grin that's positively evil.
He shoves Neil into an open stall, following with a grin that's positively evil.