forthedog: (regret)
The girls are readjusting. There's hardly any readjusting to do, in truth. They've done exactly what it makes sense to do: slipped back into regular life after a relatively brief interruption. In another few weeks, he knows, it'll be like it never happened at all. Probably sooner.

But it did happen. And it's a fucking wake up call, regardless of how safe it ended up being.

It's his night to herd them into bed, which he never has a problem with, because they're still not usually inclined to put up too much of a fuss and he can read to them. Which he likes. Likes a lot. If he's honest, he spends some time wondering when they'll get tired of it, decide it's for babies, tell him to stop.

Because they're going to grow up. He has no control over that.

Coming back downstairs, he goes to the kitchen and pours himself the last of the bottle of wine from dinner the evening previous. He heads to the living room, sinks down onto the couch beside Neil, and contemplates the depths of the glass.

"We need to talk."
forthedog: (night)
He hasn't had a nightmare in a long time. That's not what this is.

He descends into dark places. He falls into deep pits, slides down shafts of steel and stone, goes down and down stairways that extend forever into blackness. There's blood in these dreams, and sharp things and screaming and monsters without faces, but for the most part he regards it all with either simple enjoyment or cool interest. Even the dreams that aren't fun are at least interesting. It's interesting when he's burned, when the flesh is torn off his bones. These things have already happened to him. There's nothing left to be afraid of.

So they aren't nightmares. And he's not even sure this is a dream.

The grass is cool under his feet. Clouds are passing over the moon. The house is behind him, silent and asleep, but the forest is alive with shadows and the lake is a vast pool of ink. His garden, coming in very well, looks colorless and dead. The leaves are whispering, but he knows it's not the leaves.

Yes, he listens to that voice too much, but it's getting so hard to ignore. What it wants. What it's demanding.

Who are you?

He doesn't know anymore. He did.

Past the garden, near the woods and the path down to the lake, he stops, lifting his head. There was a tree here, the girls' tree, the treehouse he promised them now underway with the change in the weather. But it's not there now.

The Tree is there now.

Massive. Black. Wreathed in fire. Its boughs curling down like snakes to tangle with its roots. Pale, howling things are caught in its branches and between its roots he can see clutching, bone-white hands and arms. Bodies swing from it, hanged men. Yggdrasil, only not. Not her Yggdrasil.

His.

This is what's been pulling him. The thing he met down in the ash came from it, was birthed by it, but this is what was truly there, what's been there the whole time. He came from it and he'll go back to it and there's nothing he can do to stop it.

This is not right.

He's not afraid, but this isn't what he wants. Behind him he can feel the feeble tether of the house and what's inside it, but it isn't strong enough. He can't look for help there.

Except he can.

He blinks, and the tree is gone. It's just him, naked in the yard, his feet damp with dew and the breeze sending goosebumps across his skin. He looks down at his hands and half expects to see them blackened and cracked with fire.

This is not sustainable.

He closes his eyes. "Neil."
forthedog: (lost)
It's not uncommon for him to come home covered in blood. But this is a lot of blood.

It's not as bad as it might have been. He's cleaned off what he can, washed his hands, and the rain has taken care of some of the rest. He could have gone to the asylum, where he keeps a change of clothing for exactly this reason, but now that the adrenaline has left him completely he's tired and a little drained.

In ways that have nothing to do with the wound on his throat.

Now that sanity has reasserted itself, he's sort of wondering how that's going to be taken.

But there's nothing to do about it. He pulls the bike into the garage and heads in through the kitchen, shrugging off his jacket. The wet clothes are something else he wants to shed.

He's still not sure what tonight even means. He supposes he'll figure it out eventually.
forthedog: (Default)
Let us Be What we Can
1590 words

It's like someone planned it. )
forthedog: (tree)
He could wear gloves but he never does, and he's up to his wrists in cool, damp soil, well-tilled and rich. It's early days yet, but there are things that can go into the ground early, and he has a lot of work to do. The part that will be for the vegetables is blocked off. He has a place for a cherry tree, something that'll bloom tiny explosions of delicate pink.

Even on the island it wasn't quite like this. His land. His and Neil's, in a way that nothing on the island really belonged to anyone. It's a fierce kind of thing, he thinks, rocking back on his heels. What it means to have something like this. What it does to your life. He's always rented. Always moved around. Never put down roots anywhere, never.

So it's long past time.
forthedog: (pensive)
He waits a day. Not because he's particularly worried or hesitant, but because he needs the time to gather himself, to meditate on what this means, To the extent that he was thinking about it, he wasn't thinking about it as a real, imminent possibility, and now he needs to shift his thinking in that direction.

This is not just tossing some genetic material in someone's general direction. It was never going to be anything like that. This is the closest thing, since Florence, that he's had to a sister. Which makes this more than a little weird, not that it wasn't weird anyway.

So on the evening after the evening after, he feels ready. He's not sure of the outcome of this - there's all the difference in the world between vague, idle speculation and actually proposing a thing - but he's also feeling calm.

Family means different things all the time. Even as there's a core that never changes.

He leans across the center island in the kitchen, a pot of pasta sauce simmering on the stove behind him, to where Neil is seated doing something or other on the laptop. "So we gotta talk. If you have a second."
forthedog: (sharp relief)
At least it's clean.

He always leaves it clean. Hoses down and sweeps up, throws away old torn rope and used needles. He keeps it pristine when he's not using it - it would look like a surgical station except it actually looks nothing like that at all. No one would mistake it for one, not even at first glance. No one could mistake it for anything other than what it is.

And he's going to show it to her.

The yard between the high wall of the asylum - broken by its rusting, twisted gates - and its heavy front doors is dry and scrubby, even as buds are starting to show on the brambles and undergrowth. It's a place where winter is hanging on. Winter, or something else pushing up through the surface of the world, something that waits down deep under the cheerful surface of the city. Its poisonous heart, all rust and gears and dangling hooks - a place which, in a way, birthed him in his current incarnation.

A place that calls him back to itself, if nothing else to remind him of who he is. Not that he's a monster, which he knows, but that he has the capacity to not be one.

Waiting for her in an open patch of ground by a crumbling fountain, he closes his eyes and tilts his face up to the sky.
forthedog: (tree)
It's still cold, the wind still shouldering its way through bare trees, and the ground still hard. All the grass is still brown and dead, and muddy in patches from so many days of snow and freezing and thaw. It's been a long winter, longer than any others he remembers since the Realm. Long and cold and dark.

But right now he's in the yard at the side of the house, in the sun, and it's warm on his back.

It's late morning, the girls in school and Neil at work, and he knows he could go back to work as well, but he's taking the time. Everything is back to the way it was, except it's not. Everything is different. He's different.

Born again. He laughs silently and rocks back on his heels, bending over a small notebook in which he's jotting down things to buy. Rocks for borders. Seeds and bulbs. Maybe a sapling or two, some fruit trees. Fertilizer. Stakes and some lattices for frames. Tools. He wants flowering things, things that will attract butterflies and hummingbirds. He might even get a feeder. He's always sort of wanted one.

And dawnflowers. He definitely needs some of those.

He has a lot of work to do.
forthedog: (down)
The stars are still shining when he walks with Neil into the grass. He's barefoot, because there doesn't seem to be a whole lot of point in shoes, and while he won't say it - mostly because he's not sure how - the whole thing has the quality of ritual.

The one Neil found used the word purification. He's not sure how else he's supposed to think about this.

It's cold, but he doesn't really feel it, because it's not like he's not cold too. He stands in the grass and looks up at the sky. It's clear now, but later on there might be snow. He thinks that might be nice. Assuming he gets to see it.

He keeps having to make these choices. Everything is one test after the other. Once he would have been very angry about that. Now he's done with angry. There's not a whole lot of point in angry. There's a point in Neil beside him, and there's a point in the possibility of feeling his own heartbeat again.
forthedog: (face away)
As it turns out, he still likes doing the dishes.

They have a dishwasher, of course. And of course it works just fine. But there's something about doing them by hand, standing there in the kitchen with his hands in the warm water, looking out at the night. Something quiet on the radio. He remembers doing this as a kid, doing them as a favor to a mother who was always tired after her drunk husband finally up and left her, doing them and finding a little peace at the end of a day.

Strange that he remembers things like that now.

Neil's late, but he has a little time before he actually starts getting worried. No call or text, it might just be traffic. He sets the last dish in the drainer, pulls the plug, dries his hands. A small glass of blood on the counter fresher than a lot of what he's been drinking. Better vintage.

He leans back against the counter, lifts it to his lips, inhales before he sips.

He's lost the ability to do a lot. But appreciating Neil in this whole new way... That's something he's not sorry he has now. Not sorry at all.
forthedog: (face away)
He had been mildly relieved to discover that sleep was still sleep. He had spent most of the day in bed, finding himself suddenly and massively weary as soon as Andrea had left, and it had felt the same. He dreamed, though he couldn't remember much. And when he had woken up, he had felt better.

Though once again ravenously hungry.

They're going to need more blood. Soon.

The girls are fed, bathed, read to, tucked in. They still seem mostly fine with what had happened, though Mack had spent a few minutes examining his teeth and eyes more closely than she had at first, and complained about how cold his hands were. But she had settled down all right, and so had Flo, and now he's curled on the couch in the living room, a book open in front of him and the TV on at low volume and not a tremendous amount of attention paid to either.

He has a list in his head of everything that's changed as a result of this. It keeps getting longer. He's still with Neil, there's that... But what does that even mean anymore?

And he wants to hunt. He can feel it in him, coiling violence. Stronger and more intense than it used to be. He still believes that the girls at least are completely safe with him. But anyone else...

He just isn't sure.

And more and more, he's also not sure that he hates the way this feels.
forthedog: (face away)
All the shades are down. Correspondingly, he has the lights on and a fire roaring in the wood stove insert, as if to prove to himself that he isn't violently, burningly allergic to light in general so much as one part of the spectrum particularly.

He had made the experiment shortly after dawn, stuck his hand into a shaft of sunlight and yanked it back again, hissing with pain, as his skin immediately started to sizzle. So no, then. He won't be going outside today.

Maybe not ever again. Not in this version of his existence.

Neil has taken the girls to school. The girls, characteristically, seem to be accepting this new wrinkle in their lives with a good degree of resilience. No, Daddy can't go outside. The sun makes Daddy feel bad. Yes, Daddy is okay otherwise. Yes, Daddy's eyes and teeth now look sort of like Spike's do sometimes. Daddy is going to be like Spike for a while but that's okay, because Daddy is fine.

He makes himself a cup of coffee. After a couple of seconds of looking at it, he pulls another bag of blood out of the fridge and dumps a healthy amount of it into the mug.

It tastes pretty great.

Sitting down at the kitchen counter, he pulls out his cell and makes a quick call. Then he sits back, hands wrapped around the mug, not thinking about much of anything.

Daddy is fine. Daddy is going to be fine. He looks up at the very dim glow coming in through the blinds, the glow that could now burn him to cinders.

Daddy is just fine.
forthedog: (beaten)
He should have gone to a fucking hospital.

Later he'll wonder why he didn't, and he'll come to the conclusion that it was a strange, instinctive kind of self-preservation. He wouldn't have been safe there. No way. So maybe he shouldn't have, then.

A wave of shivering weakness washes through him and he almost pulls the bike over. Then he doesn't. Home is barely a mile away now and he's going to make it.

He hadn't always been so sure.

He's not certain how long ago they had him. He never saw them coming, and it was so fucking stupid because he should have, he had somehow forgotten - at just the wrong moment - that one little mistake is all it takes to get you fucking killed and not realizing how many you're dealing with counts as more than a little mistake. They had his arms behind his back, at least five of them, though he managed to take the head off a sixth. He had looked into their glowing eyes and had been sure the bite was coming, and a lot worse than just one, but it hadn't. Not then.

He had been aware of darkness. The musty smell of underground. Sounds in the black. Distant laughter. He had heard a snarl, had dragged the knife out of his boot without thinking, and then it was on him fiery agony in his throat even as he stabbed and slashed blindly.

The rest of it was a blur. All of it was a blur. Fighting for his fucking life in a way he's not sure he's done since he came here, no finesse or skill but desperate animal viciousness, and the same from whatever was with him in the dark, hissing and screeching and trying to tear him apart. He had no idea how he managed to scramble away, hands and face slick with blood. He had rolled, shoved himself up to his feet, had run in the direction of cooler air, angry shouts behind him. Had run through the dark, the splashing sounds of his footfalls echoing into something roaring and threatening just at his back.

Until the air was fresh again, and he was stumbling out into a shallow pond in the park. As it turned out, less than half a mile from where the bike was parked.

He smells like blood and rotten things and storm drain. He supposes it could be worse.

Gravel under the wheels. He pulls to a stop and almost falls in the process of getting off, stabilizing himself with one hand on the seat while he sucks in air and wills the world to stop spinning. How much blood has he lost? He's definitely lost his machete. Fuck. He can get a new one, but fuck.

Inside.

There's a light on in the kitchen and one in the living room, though he supposes it's possible that Neil simply left them on for him. He almost falls again getting in the back door, smearing blood on the doorframe and again on the counter in the kitchen. He fumbles for a towel. Something to press against his neck.

"Neil?" 911 might still be an option, he thinks vaguely. Maybe a good one. Christ, he feels sick, and he shambles toward the living room. "Neil, you... God, you up?"
forthedog: (Default)
Laying his tools out has always been a ritual of some power - now it has a new meaning, though it's one he isn't giving much space to here, because what he does in the basement of the asylum and what he's doing here have only the most tenuous connection. But the ritual is the same, a little outline without much in the way of hard planning, a set of possibilities.

It's important to keep things flexible. And this time he has a few things he didn't have before.

He picks up one of the lengths of rope - cotton, soft but reasonably strong - and turns to her. The light in the little room is warmly dim but more than enough to see her clearly by, and while he's never doubted her strength and capability... She looks almost delicate.

Pleasantly so.

He starts to uncoil the rope. "Tell me again what you absolutely don't want."
forthedog: (Default)
The throne room, predictably, is like something out of a movie, all stone and sconces and heavy wooden furniture. There aren't many courtiers, fourteen or fifteen people arranged at their leisure, mostly men dressed in fur trimming and brocade but also a few women in colorful gowns with richly braided hair, all of them with ornate gems at their fingers and throats. The man up there in the chair that dominates the hall - King Mortaigne, someone said at one point - isn't tall, but he's solidly built, with a cloak of thick fur and an equally thick beard, a delicately jeweled gold band looking out of place on his head.

As he surveys the five of them - all in disarray, more than one of them bleeding - he doesn't look especially impressed. He casts glances at the knights who stand on either side of him, and the looks they give him couldn't possibly fill anyone with an abundance of confidence about their future.

"So," he says, steepling his fingers. "A fascinating selection of strangers to our realm. Making a fascinating variety of trouble. What have you all to say for yourselves?

There's a silence as they all look at each other. No one in the room looks like an executioner, but that isn't exactly reassuring.
forthedog: (Default)
He gets the girls into bed with a minimum of fuss. he's not sure if they can sense that something's going on, but they seem unusually cooperative, and the good-night kisses they give him are especially sweet. Though maybe it's just his imagination.

Andrea is in the hospital. Today he went to work and had to tell them that she wouldn't be coming in for a while, though he didn't tell them specifically why. He shouldn't be feeling this good.

There's nothing on TV so he stretches out on the couch with a book and the glasses he's finally - once again - caved in and gotten. He's only half reading, close to dozing, letting his eye scan the page while picking up every other word, but this book keeps grabbing him - bought for the girls until he realized that it was much too adult for them - and one passage catches and tugs.

I will not let her speak because I love her, and when you love someone, you do not make them tell war stories. A war story is a black space. On the one side is before and on the other side is after, and what is inside belongs only to the dead.

This is something, he thinks with an odd flush of satisfaction. The sheets still smell like her. This is definitely something.
forthedog: (night)
The return from the ash didn't gift him perfect self-knowledge. There are still times when he's not altogether sure what he's thinking, what he's feeling. He's still fragmented, tangled; there will always be knots he can't completely undo. The thing is that usually it doesn't bother him. Usually it's something he notes, accepts, and moves on from.

Not so much now.

He makes the connection he needs to make, watches the man go into the little room that, for a while, housed a cathedral he built to contain the pain of Dean Winchester, and turns away. The truth is that he's glad he left his gear with them. He couldn't do any more tonight.

Like he often does, Neil is drifting through the crowd, pausing and coming to rest where he will. Mike sees him leaning against the railing and climbs the stairs, settling a hand on his shoulder.

"I need to get outta here."
forthedog: (night)
This is one of the nights when he's not hunting. Or not hunting like he normally does.

Things are quieter now, those deceptive stretches when there isn't any seriously overt insanity but everything is still hard. There's the thing with Castiel, and he['s starting to worry about money again, and there's also the pull he feels sometimes - not to run, not to abandon anyone or anything, but a memory of a time when life had been at once much simpler and so much more complicated.

He'll always be fractured, just a little.

So tonight he's read to the girls and kissed them goodnight, grabbed his keys, taken off on the bike. He'd told Neil he'll be back. He knows he doesn't have to volunteer more than that.

He's not intending to go to the amusement park, but clearly some part of him is, because he's not surprised when he gets there. It's like a giant metal graveyard at night, all skeletons and dead things, and as he pulls through the gates and rolls to a stop, it feels good.

He swings his leg over the bike and lifts off his helmet, scanning everything. "Lisbeth?"

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forthedog: (Default)
Mike Pinocchio

March 2016

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