Everywhen
It's not exactly how he saw the evening going. But by now he's learned to roll with surprises.
Not the bed, he's decided. It's not safe, and it doesn't give him enough access, and there are useable attach points in the floor and ceiling - rings, sturdy enough when he pulls on them. So the bed is stripped and for now it's where he's spread out his tools - leather cuffs, flogger, riding crop, rattan cane, a police baton capable of shattering bone, knives and gauze and rubbing alcohol.
He's not nervous. But this is going to take some care. A lot of concentration.
There's a fair amount at stake.
"Just tell me one more time," he says, finally turning, looking at Dean in the low light the lamp near the bed is throwing. "You really want this?"
Not the bed, he's decided. It's not safe, and it doesn't give him enough access, and there are useable attach points in the floor and ceiling - rings, sturdy enough when he pulls on them. So the bed is stripped and for now it's where he's spread out his tools - leather cuffs, flogger, riding crop, rattan cane, a police baton capable of shattering bone, knives and gauze and rubbing alcohol.
He's not nervous. But this is going to take some care. A lot of concentration.
There's a fair amount at stake.
"Just tell me one more time," he says, finally turning, looking at Dean in the low light the lamp near the bed is throwing. "You really want this?"
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"Figured you for hands," he says through gritted teeth, not mocking but not silent either, face tilted to offer up his cheek.
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"Not just," he murmurs, almost to himself, and turns back to the bed, picking up the flogger. It's of medium length, made for medium intensity, the leather tails black and deceptively soft to the touch. He turns back and walks, making a slow circuit around where Dean is standing, stopping at his back.
And for another moment he does nothing, looking at Dean's bare shoulders in the dimness, before reaching out and running his hand over the line of Dean's shoulderblades. Priming. But there's also an element of reassurance in it, and if that's too kind, well, too fucking bad.
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After a moment more, he bows his head, accepting the kindness as a different kind of torment. It's the same reaction that's kept him from asking for this before now, that sends him to the beds of strangers and never to those that profess to care about him. It's too much, feels too raw, and Dean swallows hard. "C'mon."
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He moves back again, letting his arm go loose and flexible, and starts in on Dean's upper back.
There's not much force behind it, not immediately, but as the minutes go on he builds the rhythm in rapid sweeps of the leather, slow but inexorable, soft flicks to impacts hard enough to ring off the room's bare walls. He crisscrosses across Dean's back, the skin here flushing too - and slowly beginning to darken beyond even that.
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Toes curling against the floor, Dean grips his chains, face turned hard into his shoulder. There's a sound building in his throat, but it doesn't make it out, a low whine that Dean swallows down and releases with short, panted breaths, one for every dull smack of leather.
They'd been right - Dean in his assumption and Mike in his confidence. Mike is good at this, and Dean takes the first step towards letting go, towards trusting the other man to give him exactly what he's said he will, and do it well.
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He listens to Dean's breathing change over the sound of the leather striking flesh and he feels an element of satisfaction. Closer.
He's hitting hard enough now that his arm is beginning to ache with the effort, the skin under the leather a dark, furious red, and he picks that moment to just... stop.
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"Fuck," Dean exhales in a hiss, dropping down again, hanging hard to the chains until the spike of dizzy adrenaline fades. His back feels shredded - and Dean would know - the burning ache bone deep where it's not gone numb. It feels...better.
"Can't be tired yet," he calls.
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He lays the flogger down and appears, for a moment, to be choosing between one instrument or another, but he already knows. How to warm up the skin, how to get the most out of the welts. How to draw blood.
He picks up the crop and turns back around, swiping it once through the air with a sharp whistle.
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He turns away from the sight, head tipped back to regard his own hands holding tight to the chains. Dean might have just been told to shut up, but he's pretty sure he won't be silent for long.
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This time it's the front of Dean's thighs, the strokes again even and measured, but he builds faster, harder, and little by little Dean's thighs are banded with red stripes, and then the red stripes begin to swell, to turn a faint purple.
But this was only ever to give Dean's back a brief respite. So nearly without missing a stroke he's back there again, landing blow after blow on flesh that's already gone raw. Every second, he's sinking deeper into the rhythm. There was always something horribly soothing about the process of taking someone apart.
No, he's not tired. He's not even close to done.
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And then the switch finds his back, and Dean lights up like a star, each smack of crop against abraded skin nearly incandescent in its intensity. His fingers flex, reach uselessly and grab again, clinging to the chain like it could pull him away from here.
And never once does he consider using his safeword. But he does growl and curse, too controlled yet for surrender but growing more savage all the time, and when the moment comes that a blow lands and none is quick to follow, Dean whines high in the back of his throat, choked with dread and desire both.
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He pulls back and pulls in a breath, flings the end of the crop at Dean's flesh as hard as he can. It's like the sound of a hand clapping inches from his ear, sharp and fine-edged. More blood blooms like flowers.
He withdraws to the bed again, silent, leaving only the ghost of his fingertips behind on abused skin.
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In the silence, Dean eases his discomfort by drawing trembling limbs back under control, but it's harder all the time. He feels wired, too jumpy, and yet exhausted, movements jerky and agony on his back. When he thinks he can keep his head upright, he rolls it up, propped against his lifted arm, and finds Mike at the bed.
Dean's lips part, but he doesn't ask when or for more, sensing that Mike will come to him in his own time. There's something dripping down his shoulderblades, cool when it catches the air, and Dean jerks again to realize it's blood.
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What he's being allowed to see. To do.
He picks up the smaller knife - Neil's gift, he thinks with some wry humor - and slides it out of its leather sheath, holding it up to the faint light and turning it this way and that, letting the blade gleam. One side is serrated, good - in his experience - for light scratches, sensation play. And then there's the other side.
His gaze is still locked on Dean's as he steps forward. He's not asking for permission. Not asking for anything as he presses the edge of the blade against the base of Dean's throat.
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Dean's eyes widen, heart beating so hard against his ribs he wonders if it will just stop, and still he doesn't breathe. Dimly, he recalls that he has something he never had before, a magic word to make it stop, remembers where he is and who he's with, but it doesn't seem to matter.
All that matters is that sharp edge, pressed to his skin where it's the most tender. Dean exhales the air building in his lungs in a slow, thin hiss, eyes on the ceiling as they grow hot and begin to spill.
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Dean exhales and he picks that moment to inhale and imagines it passing from one set of lungs to the other, fixated on the way Dean's eyes are glistening, wet.
"What you said before, about no permanent scars," he murmurs. So calm. "Yeah, I don't know about that." He lifts his free hand and cups Dean's face, thumb smudging tears away from under his eye with idle fascination. "Do you want me to let up?"
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"You carve your name on me, you'll regret it."
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It's shallow, really hardly a break in the skin at all, but more than a scratch. A single long, graceful, sweeping slice down from the corner of Dean's right collarbone and across his chest, followed by another, and another, until he's lost in the careful delicacy of it. Parallel cuts, cuts that cross, some done quick and some achingly slow. At last he releases Dean's hair and drops back into a crouch, framing Dean's ribcage with his hands before he begins to drag the edge of the blade down over the bumps of his ribs.
Too much in the way of even shallow wounds and they'll have a problem on their hands. But this is just enough.
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He sags against the hands framing him, and when the knife parts the soft flesh of his belly, he feels a sob rip free of his chest. There's a word to make this stop. It doesn't fit with the rest of what's happening, where he is, there's not supposed to be a way out. There's a word, and Dean can't remember what it is.
He wouldn't use it if he did.
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Once it would have frightened him. Now he still feels that calm gentleness, even behind the knife, the feeling that he's guiding someone into something, and when he hears the sob he pauses and looks up. Not concerned. But evaluating.
And goes back to work.
He stops just above Dean's hipbones, pauses again, and straightens up. The whole front of Dean's body is a mess, and he slides a single fingertip through it, attention narrowed to a sharp point as he lifts his finger to Dean's lips and paints the lower one red.
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And Dean had opened for them every time.
His lips part now, but nothing comes, and Dean opens his swollen, glassy eyes, tongue darting out without thought to taste.
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Not yet. Mercy, like everything else here, has to be carefully applied, and in its own time.
Once this would have been the point at which he would begin to ask questions, and he asks one now, not examining it too closely but simply letting it come.
"Where are you?"
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He licks his lips again, and again, tastes copper and home, and he can't answer the question still ringing in his ears. "Don't know," he whispers, then, sensing his peril, sucks down a breath. "Please don't stop."
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He wouldn't be that cruel.
He steps away again, back to the bed, picks up a piece of gauze and wipes down the blade of the knife before putting it aside. He hesitates then, hand hovering between the rattan cane and the baton... But there's a specific order that the pain has to come in, and he picks up the cane and turns back.
It's light, deceptively delicate, made to be sharper and more vicious than even the crop. He presses the tip of it under Dean's chin.
"I think we're getting close, though," he murmurs. "Don't you?"
Without waiting for an answer, he begins on the sides of Dean's arms, rapid bullet-fire strokes with utterly no gentleness in them at all.
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His toes flex, but Dean can't keep his feet, and after a moment more, Dean stops trying. He hangs there, feels breathless and skinless and wide, wide open.
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