forthedog: (face away)
It's too familiar. It's surreal.

He's sitting in the back of Preston's car again, slumped down and watching the miles of flat fields roll by. The clouds make dark smudges of shadow that move across the green and gold and brown. He feels like he hasn't slept--though he did, heavily, Neil half-draped across him, and breakfast--eggs, sausage, pancakes--had been better than it really should have been, with the eggs a little overdone and the pancakes a little dry. He had wolfed them down, Ellen doing only a moderate amount of distracted fussing over each of them, Neil's foot brushing his under the table.

No indication from her that she had heard anything.

And now here they are, and he's thinking back to so many hours spent driving across this same flat country. Driving to Neil. Driving to things he didn't understand then and doesn't fully understand now.

And now here comes more that he can't even pretend to get.

He shouldn't be this nervous, he thinks, looking up at the back of Neil's head. But he is. It feels like another step, and one in another direction. Not towards getting better or confronting his own shit, but towards a world where he and Neil are so profoundly entangled that there's no pulling them apart.

Which he wants. God, he wants it.

And it's terrifying.
forthedog: (regret)
It's chilly and gray as the plane touches down, and for the first time he feels the stress pushed back before a wave of deja vu. It's been a long time now since he was here--since either of them was here--but it doesn't feel like it. It feels like another one of those strange moments where time and space fold in on themselves, and memory and the present mesh into a single thing in a way that's hard to navigate.

As he's worked through his fractured memories with Sam, he's come to wonder if his cyclical reliving of the blast--and the awful couple of days leading up to it--are a feature and not a bug. If this is what time has always done, and it's only recently that he's really noticed.

The plane creeps forward across the tarmac toward the gate, and though the seatbelt sign is still lit he can hear people stirring around them, starting to gather what belongings they can reach. He has a book on his lap--a paperback he'd grabbed in the airport, some kind of Western except not quite--but it's not open and he hasn't read a word of it. He's spent most of the flight staring out the window at nothing at all, and trying to keep his breathing steady. He's not sure why a plane should be so much worse than anything else, except that it's a small space with a lot of strangers, and things just seem to set him off in general now.

Your mind is just taking much longer to heal than your body did, Sam had said the session before they had left. Minds do that. You'll probably keep finding new things that are hard for you. Don't sweat it too much. Just make notes of them and we'll work on how to make it better.

But seriously. Fuck planes.

And now they're just sitting on the tarmac, nowhere near a gate. Mike sighs and leans back in the seat, giving Neil a glance. "Seriously, are people gonna be okay if I just shut myself in a fucking closet for a few hours?"
forthedog: (firelight)
It's better. For the first time, it's better and he's sure it's not just wishful thinking, or adjusting to a situation that's just as shitty as it was before.

He's still not good. The morning he and Neil had spent in bed and curled around each other, he hadn't dreamed, but that night he had, and badly. And the night after. Neil touches him, and he still flinches instinctively away most of the time. The thought of going outside for anything--even the smallest task--feels like an exhausting ordeal. At times even getting up to bathe or eat is difficult.

But a few days later, and he's sure it's still better. As he makes his way up the stairs to he apartment, he's sure he feels less tired. Less battered inside.

Again, he's coming back from therapy, but he's feeling cautiously hopeful in addition to sore and tired. Donna had seemed entirely unsurprised when he had broached the subject--sidling around to it with an awkwardness that made him cringe and yet that he couldn't really stop--nodding and moving over to a desk and scribbling a name and a number down on a scrap of paper.

"There," she had said, tossing her long blond ponytail back over her shoulder and handing the paper to him. "Call that number. They'll take good care of you. Promise."

And he had thought that might actually be all she said about it, but as she pointed him back to the mat and his stretches, she had smiled, and it had been faint and warm. "I'm glad you said something," she said quietly. "'Cause I was about to."

Under the embarrassment, he was--and is--grateful. Because people care. They care without prying, without making themselves a nuisance.

Unless they have to. He thinks of Johnny and doesn't quite smile.

He turns the key in the lock, pushes the door open. Maybe it's better, but he's still tired and everything still hurts, and all he wants to do is curl up on the couch and doze.

Once it would have been with a drink. But now part of him--a louder part--is wondering if that might be the best idea.
forthedog: (sky)
In his dream, the dead crawl up through the ground with their mouths full of mud.

It's not a dream that he has as often as the other one--or rather, the other collection of them, for there are a number of variations on a theme. If drowning in churning, ruined flesh can be called a theme. If watching various parts of his body rot and drop off can be called a variation.

In this one, he's well and whole, and for that reason and for many others, it manages to be worse than all the rest put together.

He stands in a field--in The Field, as he's come to think of it--and it's all wrong, because there never were mass graves in that field, not that he ever saw, but the dead are crawling up through the dirt and the weeds all the same, clawing at the wet spring ground with fingertips worn and chewed down to polished bone. They are angry. He knows this without having to be told it, without having to see their faces clearly.

They are angry and they are angry at him. Because he did not help them.

Because he put them there.

That never happened, he tries to scream, standing in The Field, surrounded on all sides by pitted mine craters and corpses. They were dead when I got there. They were already fucking dead.

A woman reaches out and seizes his ankle, staring up at him with empty eyes. Stupid boy, she says, and he's unsure of how she manages to speak so clearly with her mouth full of mud but it doesn't much seem to matter, of course it didn't happen. Not yet.

You think this is about the past?


He doesn't wake up screaming this time. He's trying, but he can't breathe--fighting his way up through sleep, clawing up through it, sure for two or three horrible seconds that he can taste grit in his mouth.

Grit and something else. Something acrid and very familiar.

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forthedog: (Default)
Mike Pinocchio

March 2016

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